{"id":11640,"date":"2024-03-15T06:51:08","date_gmt":"2024-03-15T01:21:08","guid":{"rendered":"https:\/\/www.rupanugabhajanashram.com\/?p=11640"},"modified":"2024-03-15T07:17:15","modified_gmt":"2024-03-15T01:47:15","slug":"prema-dhama-deva-stotram-with-the-narasingha-sevaka-commentary-verses-56-60","status":"publish","type":"post","link":"https:\/\/www.rupanugabhajanashram.com\/writings\/krishna-talk-articles\/swami-bv-giri\/prema-dhama-deva-stotram-with-the-narasingha-sevaka-commentary-verses-56-60\/","title":{"rendered":"Prema Dh\u0101ma Deva Stotram with the Narasi\u1e45gha Sevaka Commentary \u2013 Verses 56-60"},"content":{"rendered":"
by
\nHis Divine Grace
\n\u015ar\u012bla Bhakti Rak\u1e63aka \u015ar\u012bdhara Deva Gosv\u0101m\u012b Mah\u0101r\u0101ja<\/b><\/p>\n
with the
\nNarasi\u1e45gha Sevaka Viv\u1e5btti
\nby Trida\u1e47\u1e0di Swami Bhakti Vij\u00f1\u0101na Giri<\/b><\/p>\n<\/div>\n
Verse 56 Word for Word<\/strong><\/p>\n s\u0101ttvik\u0101di<\/span><\/em> \u2013 the symptoms of <\/span>s\u0101ttvika<\/span><\/em> etc; <\/span>bh\u0101va<\/span><\/em> \u2013 ecstasy; <\/span>cihna<\/span><\/em> \u2013 signs; <\/span>deha<\/span><\/em> \u2013 body; <\/span>divya<\/span><\/em> \u2013 divine; <\/span>sau\u1e63\u1e6dhava<\/span><\/em> \u2013 beauty; <\/span>k\u016brma<\/span><\/em> \u2013 tortoise; <\/span>dharma<\/span><\/em> \u2013 nature; <\/span>bhinna<\/span><\/em> \u2013 separated; <\/span>sandhi<\/span><\/em> \u2013 joints; <\/span>g\u0101tra<\/span><\/em> \u2013 limbs; <\/span>pu\u1e63pa<\/span><\/em> \u2013 flower; <\/span>pelava<\/span><\/em> \u2013 tender; <\/span>hrasva<\/span><\/em> \u2013 short; <\/span>d\u012brgha<\/span><\/em> \u2013 long; <\/span>padma<\/span><\/em> \u2013 lotus; <\/span>gandha<\/span><\/em> \u2013 fragrance; <\/span>rakta<\/span><\/em> \u2013 red; <\/span>p\u012bta<\/span><\/em> \u2013 golden; <\/span>p\u0101\u1e47\u1e0dura<\/span><\/em> \u2013 white; <\/span>prema<\/span><\/em> \u2013 love of K\u1e5b\u1e63\u1e47a; <\/span>dh\u0101ma<\/span><\/em> \u2013 abode; <\/span>deva <\/span><\/em>\u2013 divine; <\/span>eva<\/span><\/em> \u2013 indeed; <\/span>naumi<\/span><\/em> \u2013 I offer obeisance; <\/span>gaura<\/span><\/em>–<\/span>sundara<\/span><\/em> \u2013 Gaurasundara.<\/span><\/p>\n TRANSLATION<\/strong><\/p>\n I offer my obeisance unto \u015ar\u012b Gaurasundara, that Divine Personality who is the abode of pure prema<\/em><\/strong>. The divine beauty of His body was enhanced by various signs of<\/strong> s\u0101ttvika-bh\u0101va<\/em> \u2013 sometimes His form would become like a tortoise, sometimes His tender, flower-like limbs would become dislocated<\/strong>. When His body became shorter or elongated, it would become as fragrant as a lotus-flower, and sometimes it would appear red, golden or white.<\/strong><\/p>\n Commentary<\/strong><\/p>\n In this verse, \u015ar\u012bla \u015ar\u012bdhara Mah\u0101r\u0101ja describes some of the ecstatic symptoms manifested by \u015ar\u012b Caitanyadeva in His mood of separation. He first mentions s\u0101ttvika<\/em>, the eight involuntary bodily transformations. These are mentioned in the Bhakti-ras\u0101m\u1e5bta-sindhu <\/em>(2.3.16) as follows:<\/p>\n te stambha-sveda-rom\u0101\u00f1c\u0101\u1e25 svara-bhedo\u2019tha vepathu\u1e25 (The a\u1e63\u1e6da-s\u0101ttvika <\/em>transformations of bh\u0101va <\/em>are stambha,<\/em> becoming stunned, sveda, <\/em>perspiration, rom\u0101\u00f1ca,<\/em> standing of the hairs on end, svara-bheda, <\/em>faltering of the voice, kampa, <\/em>trembling, vaivar\u1e47ya, <\/em>loss of colour, a\u015bru,<\/em> tears, and pralaya,<\/em> loss of consciousness or fainting.)<\/p>\n It is said that \u015ar\u012bmat\u012b R\u0101dh\u0101r\u0101\u1e47\u012b\u2019s divine form is decorated by these eight symptoms of ecstasy, and similarly, \u015ar\u012bla \u015ar\u012bdhara Mah\u0101r\u0101ha has written, deha-divya-sau\u1e63\u1e6dhava \u2013 <\/em>Mah\u0101prabhu\u2019s transcendental body was beautified with these s\u0101ttvika<\/em>–bh\u0101vas<\/em>.<\/p>\n The next bh\u0101va<\/em> mentioned in this verse is k\u016brma-dharma<\/em>, the nature of a tortoise. This is described by K\u1e5b\u1e63\u1e47a D\u0101sa Kavir\u0101ja as follows:<\/p>\n iti-uti anve\u1e63iy\u0101 si\u1e41ha-dv\u0101re gel\u0101 pe\u1e6dera bhitara hasta-pada k\u016brmera \u0101k\u0101ra acetana pa\u1e0diy\u0101chena yena ku\u1e63m\u0101\u1e47\u1e0da-phala (Searching here and there, they went to the Si\u1e41ha-dv\u0101ra and found the Lord amongst the cows. His arms and legs had retracted into His belly and He resembled a tortoise. Foam came from His mouth, His bodily hair stood on end, and His eyes wept torrents of tears. Lying their unconscious, His form resembled a pumpkin. Although He was externally inert, internally He felt great bliss. \u2013 Caitanya-carit\u0101m\u1e5bta, Madhya-l\u012bl\u0101<\/em> 2.15-17)<\/p>\n More will be said about this pastime in the next verse.<\/p>\n Next, \u015ar\u012bla \u015ar\u012bdhara Mah\u0101r\u0101ja mentions bhinna-sandhi-g\u0101tra \u2013<\/em> the Lord\u2019s limbs would become dislocated. Again, this is described in Caitanya-carit\u0101m\u1e5bta<\/em>:<\/p>\n k\u0101h\u0101\u1e45 n\u0101hi \u015buni yei bh\u0101vera vik\u0101ra hasta-padera sandhi saba vitasti-pram\u0101\u1e47e (We have never before heard of such ecstatic transformations. Such bh\u0101va<\/em> only appeared in the body of the Lord. Sometimes the joints of His arms and legs would become dislocated by eight inches and only remained connected by the skin. \u2013 Caitanya-carit\u0101m\u1e5bta, Madhya-l\u012bl\u0101<\/em> 2.11-12)<\/p>\n It is also described how Mah\u0101prabhu\u2019s complexion would change:<\/p>\n deha-k\u0101nti gaura-var\u1e47a dekhiye aru\u1e47a (Everyone saw the white lustre of His body become pink. Sometimes they saw His hue resemble that of a jasmine flower. \u2013 Caitanya-carit\u0101m\u1e5bta, Madhya-l\u012bl\u0101<\/em> 13.106)<\/p>\n According to the internal mood of the Lord, His bodily hue would change. This is explained by \u015ar\u012b R\u016bpa Gosv\u0101m\u012b:<\/p>\n vi\u1e63\u0101da-ro\u1e63a-bh\u012bty-\u0101der vaivar\u1e47ya\u1e41 var\u1e47a-vikriy\u0101 (The transformation of a person\u2019s complexion due to despair, anger or fear is known as vaivar\u1e47ya,<\/em> or a change of colour. \u2013 Bhakti-ras\u0101m\u1e5bta-sindhu<\/em> 2.3.47)<\/p>\n These are just some of the ecstatic symptoms mentioned in the biographies of \u015ar\u012bman Mah\u0101prabhu. Apart from these divine bodily transformations, it is also said that while in the Gambh\u012bra, other dramatic transformations would take place:<\/p>\n roma-k\u016bpe raktodgama danta saba h\u0101le (The pores of His body would sweat blood and all His teeth would become loose. At One moment His entire body would elongate, and at another moment it would become fat. \u2013 Caitanya-carit\u0101m\u1e5bta, Madhya-l\u012bl\u0101<\/em> 2.6)<\/p>\n gambh\u012br\u0101-bhitare r\u0101tre n\u0101hi nidr\u0101-lava (Inside the Gambh\u012br\u0101, He did not sleep at night. He would grind His mouth and head on the wall, and become injured all over. \u2013 Caitanya-carit\u0101m\u1e5bta, Madhya-l\u012bl\u0101<\/em> 2.7)<\/p>\n In Bhagavad-g\u012bt\u0101<\/em>, we find \u015ar\u012b K\u1e5b\u1e63\u1e47a manifesting His awe-inspiring universal form to Arjuna which is the benchmark of actual divinity. Nowadays however, it is common to find \u2018god-men\u2019 claiming to be an avat\u0101ra<\/em> of K\u1e5b\u1e63\u1e47a, yet their imitation merely extends to performing some so-called \u2018r\u0101sa-l\u012bl\u0101\u2019<\/em> with their female followers. They never show their universal form, nor do they exhibit any of the fantastical feats of K\u1e5b\u1e63\u1e47a such as lifting Govardhana Hill etc. Similarly, amongst the Vai\u1e63\u1e47ava community, many sahajiy\u0101s<\/em>, sentiment-mongers and \u2018wannabes\u2019 try to imitate the ecstatic mood of Mah\u0101prabhu and His eternal associates by making a public show of their \u2018bh\u0101va.<\/em>\u2019 They dance wildly or manage to squeeze a few tears out of their eyes, claiming that they are feeling great separation from K\u1e5b\u1e63\u1e47a. Dancing like a madman or crying crocodile tears is very easy for a trained actor, but sweating blood, dislocating one\u2019s limbs etc. is another thing altogether. Because such extraordinary manifestations of ecstasy can never be imitated by a charlatan possessing a body comprised of material elements, the imitationists, like the god-men, only exhibit the most rudimentary symptoms of divine ecstasy.<\/p>\n Word for Word<\/strong><\/p>\n t\u012bvra<\/span><\/em> \u2013 acute; <\/span>vipralambha<\/span><\/em> \u2013 separation; <\/span>mugdha<\/span><\/em> \u2013 overwhelmed; <\/span>mandira<\/span><\/em> \u2013 the temple of Jagann\u0101tha;<\/span> \u0101gra<\/span><\/em> \u2013 in front; <\/span>dh\u0101vita<\/span><\/em> \u2013 run; <\/span>k\u016brma<\/span><\/em> \u2013 tortoise; <\/span>r\u016bpa<\/span><\/em> \u2013 form; <\/span>divya<\/span><\/em>
\n<\/strong>s\u0101ttvik\u0101di-bh\u0101va-cihna-deha-divya-sau\u1e63\u1e6dhava\u1e41
\nk\u016brma-dharma-bhinna-sandhi-g\u0101tra-pu\u1e63pa-pelavam
\nhrasva-d\u012brgha-padma-gandha-rakta-p\u012bta-p\u0101\u1e47\u1e0dura\u1e41
\nprema-dh\u0101ma-devam eva naumi gaura-sundaram<\/em><\/p>\n
\nvaivar\u1e47yam a\u015bru pralaya ity a\u1e63\u1e6dau s\u0101ttvik\u0101\u1e25 sm\u1e5bt\u0101\u1e25
\n<\/em><\/p>\n
\ng\u0101bh\u012b-ga\u1e47a-madhye y\u0101i prabhure p\u0101il\u0101<\/em><\/p>\n
\nmukhe phena pulak\u0101\u1e45ga netre a\u015bru-dh\u0101ra<\/em><\/p>\n
\nb\u0101hire ja\u1e0dim\u0101 antare \u0101nanda-vihvala<\/em><\/p>\n
\nsei bh\u0101va haya prabhura \u015bar\u012bre prac\u0101ra<\/em><\/p>\n
\nsandhi ch\u0101\u1e0di\u2019 bhinna haye, carma rahe sth\u0101ne<\/em><\/p>\n
\nkabhu k\u0101nti dekhi yena mallik\u0101-pu\u1e63pa-sama<\/em><\/p>\n
\nbh\u0101va-j\u00f1air atra m\u0101linya-k\u0101r\u015by\u0101dy\u0101\u1e25 parik\u012brtit\u0101\u1e25 <\/em><\/p>\n
\nk\u1e63a\u1e47e a\u1e45ga k\u1e63\u012b\u1e47a haya k\u1e63a\u1e47e a\u1e45ga phule<\/em><\/p>\n
\nbhitte mukha-\u015bira gha\u1e63e k\u1e63ata haya saba<\/em><\/p>\n
\nVerse 57
\n<\/strong>t\u012bvra-vipralambha-mugdha-mandir\u0101gra-dh\u0101vita\u1e41
\n<\/em>k\u016brma-r\u016bpa-divya-gandha-lubdha-dhenu-ve\u1e63\u1e6ditam
\nvar\u1e47it\u0101li-k\u016bla-k\u1e5b\u1e63\u1e47a-keli-\u015baila-kandara\u1e41
\nprema-dh\u0101ma-devam eva naumi gaura-sundaram<\/em><\/p>\n