Overview
In Śrī Nāma Māhātmya (The Glories of the Holy Name), Śrīla Śrīdhara Mahārāja gives a detailed explanation of the gradual development of the Holy Name according to the eight verses of Śrīla Bhaktivinoda Ṭhākura’s ‘Nāma Māhātmya’ from ‘Śaraṇāgati.’ This edited transcript was originally spoken on October 2nd 1981.
(1)
kṛṣṇa-nāma dhare kata bala
viṣaya-vāsanānale mora citta sadā jale
ravi-tapta maru-bhūmi sama
karṇa-randhra patha diyā, hṛdi mājhe praveśiyā,
variṣaya sudhā anupama
My heart is just like a desert, hot with the rays of the sun. This is my internal mental condition. The desire for mortal things cannot satisfy me because by nature they are death-producing. And not one or two, but thousands of such death-producing desires have taken shelter in my mind. So, my subconscious region is always burning. This is my condition. But somehow, by the grace of the sādhu and guru, the holy name of Kṛṣṇa with its infinite prospect has entered through the holes of my ears and reached the plane of my heart. And there, with some peculiar hope, with infinite, auspicious possibilities, it touched my heart with a new kind of nectar. New hope is aroused by that sound.
(2)
hṛdaya haite bale, jihvāra agrete cale
śabda-rūpe nāca anukṣaṇa
kaṇṭhe mora bhaṅge svara, aṅga kāṅpe thara thara,
sthira haite nā pāre caraṇa
Then by force it comes from the heart towards the tongue. Not that by the endeavor of my tongue I am producing that sound. What came from the heart of a saint through my ear, entered my heart, and that forcibly appeared on my tongue, and began to dance. That is the holy name proper. It descends from above. It cannot be produced by the material tongue. Its source is above. And through an agent of the absolute it comes through the ear to the heart. From the heart it gathers some sympathy, then the holy name of Kṛṣṇa forcibly appears upon the tongue and begins to dance. With great force it comes to the end of the tongue, and that sweet sound begins its dancing. The real effects of the divine name have been described here. If it is a real and living name, the voice will be choked up, there will be shivering in the body, and the legs will be unable to stand.
(3)
cakṣe dhārā, dehe gharma, pulikata saba carma,
vivarṇa haila kalevara
mūrccita haile mana, pralayera āgamana,
bhāve sarva-deha jara jara
Sometimes tears will flow in a current on the body, and one’s hairs will stand on end. Sometimes changes of colour will be found in the body, and we will be unable to find any trace of the mind or consciousness. We may fall in a swoon, the whole body and mind will appear as if it is being attacked, shivering, and influenced in different ways.
(4)
kari’eta upadrava, citte varṣa sudhā-drava,
more ḍāre premera sāgare
kichu nā bujhite dila, mora ta bātula kaila,
mora citta vitta saba hare
Apparently it may seem that so many troubles are created in the body and the mind, but the real heart is overflowing with a particular kind of strange, sweet juice. Sometimes the devotee thinks, ‘I am in an ocean of nectar. My whole existence is within an ocean of nectarean liquid. I am beside myself. I can’t understand where I am. Where am I? What is this? What is all about me? It has almost made me mad. Am I a madman? Where is my past experience, my seriousness, my gravity, where are they? What am I?
(5)
lainu āśraya yā’ra, henu vyavahāra tā’ra
varṇite nā pāri ei sakala
kṛṣṇa-nāma icchāmaya, yāhe yāhe sukhī haya
sei mora sukhera sambala
I have been converted wholesale by a foreign thing. I am a doll in the hands of a great force, which is also so affectionate to me. I can’t ascertain how it is possible that by my faith I have entered this great, unknown environment, not experienced before. And at last I find that I am captivated. My entire being, within and without, has been captured by a particularly sweet force. I can’t help being prey to such a sweet power. I can’t give any proper description of this. I came to take shelter of Him and accept Him as my guardian; now at His hand I am being dealt with in such a merciless and despotic way. Still, I feel that everything is very pleasing, beyond my experience. What is this? I can’t resist anymore. I am fully captured. Let my fate go anywhere. I can’t come out. I am a captive in the hand of a sweet friend; my whole independence is gone. There is no way left to me but to surrender. I am unable to describe my real position. I find that He’s an autocrat. Whatever He likes, He will do. Since it is not possible for me to give any resistance, I must surrender. Let me also cooperate with whatever He is pleased to do.
(6)
premera kālikā nāma, adbhuta rasera dhāma
hena bala karaye prakāśa
īśat vikaśi’ punaḥ, dekhāya nija rūpa-guṇa
citta hari’ laya kṛṣṇa-pāśa
Otherwise I find that the sweetness of the name is condensed like a blossoming flower, and very wonderful streams of sweet current are flowing from it. The holy name contains so many sweet variegated forms of current within Him, and He is wonderfully expressing Himself in different ways. Sometimes He emanates a peculiar type of color and figure, and disappears. So many charming aspects are shown as if to my eyes within, and He forcibly takes me to surrender at the foot of that altar.
(7)
pūrṇa vikaśita haiñā, vraje more yāya laiñā,
dekhāya more svarūpa-vilāsa
more siddha-deha diyā, kṛṣṇa-pāśe rākhe giyā,
ei dehera kare sarva-nāśa
He shows Himself in His full-fledged form, in Vṛndāvana, in His vraja-līlā, with Rādhārāṇī, and He takes me there. I find that I am in the midst of His peculiar, very sweet and loving paraphernalia. And He says, ‘You see! I have so many wonderful things. This is your home. I am not merely imagination, but concrete reality. You will find here that the environment is very favorable and sweet. You are to live here.’ I see there that He is dealing in different ways with His associates, in different rasas. And I find that I have another body that has emerged from my previous one, and that has a permanent place here in His service. Such a new life I find here. And then I find ultimately that all consideration of my past life and experience has vanished. And it is true: my real life is here. This is proper, and that was a sham, that life has vanished. Then I find that chanting the holy name gives me new encouragement, a new prospect, and new hope.
(8)
kṛṣṇa-nāma-cintāmaṇi, akhila rasera khani,
nitya-mukta, śuddha, rasamaya
nāmera bālāi yata, saba la’ye hai hata
tabe mora sukhera udaya
Whatever we want, whatever is our internal demand, it is supplied by the name. If we take the name, all our internal hankerings will be fulfilled. It is eternal, it is the purest of the pure, and it is full of ecstasy. Now I find I have been completely converted. How, my innermost hankering is this: Let whatever is against this sweet name vanish eternally from the world. If anything is in opposition to this sweet life, let it vanish, and if necessary, I will give my life to make it disappear from the world forever. Then others will be able to enjoy it at their free will. No hindrance should come to that fulfilment of life. It has no other second. So, everyone may come here, and if necessary, I will sacrifice myself to finish any opposition, so that all can smoothly, peacefully, and without any danger, enjoy this absolute, sweet, and blissful life.
Related Articles
- Śrī Nāma Māhātmya (The Glories of the Holy Name) by Śrīla Bhakti Rakṣaka Śrīdhara Deva Gosvāmī
- Questions and Answers on Nāma-Tattva by Śrīla Bhakti Gaurava Narasiṅgha Mahārāja
- The Mahā Mantra by Śrīla Bhakti Gaurava Narasiṅgha Mahārāja
- Meditation Techniques and the Holy Name by Śrīla Bhakti Gaurava Narasiṅgha Mahārāja
- Meditation and the Holy Name by Śrīla Bhakti Gaurava Narasiṅgha Mahārāja
- Chanting the Holy Name by Śrīla Bhakti Gaurava Narasiṅgha Mahārāja
- The Descent of the Holy Name by Śrīla Bhakti Kiśora Āraṇya Mahārāja
Further Reading
From Śraddhā to Prema
The following article is adapted from a class on Caitanya-caritāmṛta, Ādi-līlā 4.68, given by Śrīla B.G. Narasiṅgha Mahārāja on Rādhāṣṭamī, September 10th 1997. Mahārāja systematically explains the process of bhakti starting with śraddhā and culminating in prema, which is personified as Śrīmatī Rādhārāṇī.
Beyond Bricks and Mortar: Understanding the Guru’s Legacy
What truly constitutes the guru's legacy? Gaura Gopāla Dāsa explores this question and delves into the significance of the guru's teachings beyond the bricks and mortar that make up his āśramas and temples.
Śri Rūpa Mañjarī Pada
This article is based on a class by Śrīla B.G. Narasiṅgha Mahārāja, give on Śrīla Prabhupāda’s appearance day at Myrtle Beach, USA on August 29th, 1994. Mahārāja speaks about the song “Sri Rūpa Mañjarī Pada’ and how this song is related to His Divine Grace, A.C. Bhaktivedanta Swami Prabhupāda
Ten Prayers to the Foot-Dust of Śrīmad Rūpa Gosvāmī (Śrīmad Rūpa Pada Rajaḥ Prārthanā Daśakam)
With the forthcoming observance of Śrīla Rūpa Gosvāmi’s disappearance, we present ‘Śrīmad Rūpa Pada Rajaḥ Prārthanā Daśakam’ (Ten Prayers to the Foot-Dust of Śrīmad Rūpa Gosvāmī), a Sanskrit composition by Śrīla Śrīdhara Deva Gosvāmī Mahārāja. first published in Śrī Gauḍīya Darśana magazine, Vol.11, Issue 1 in 1965.
From Śraddhā to Prema
The following article is adapted from a class on Caitanya-caritāmṛta, Ādi-līlā 4.68, given by Śrīla B.G. Narasiṅgha Mahārāja on Rādhāṣṭamī, September 10th 1997. Mahārāja systematically explains the process of bhakti starting with śraddhā and culminating in prema, which is personified as Śrīmatī Rādhārāṇī.
Beyond Bricks and Mortar: Understanding the Guru’s Legacy
What truly constitutes the guru's legacy? Gaura Gopāla Dāsa explores this question and delves into the significance of the guru's teachings beyond the bricks and mortar that make up his āśramas and temples.
Śri Rūpa Mañjarī Pada
This article is based on a class by Śrīla B.G. Narasiṅgha Mahārāja, give on Śrīla Prabhupāda’s appearance day at Myrtle Beach, USA on August 29th, 1994. Mahārāja speaks about the song “Sri Rūpa Mañjarī Pada’ and how this song is related to His Divine Grace, A.C. Bhaktivedanta Swami Prabhupāda
Ten Prayers to the Foot-Dust of Śrīmad Rūpa Gosvāmī (Śrīmad Rūpa Pada Rajaḥ Prārthanā Daśakam)
With the forthcoming observance of Śrīla Rūpa Gosvāmi’s disappearance, we present ‘Śrīmad Rūpa Pada Rajaḥ Prārthanā Daśakam’ (Ten Prayers to the Foot-Dust of Śrīmad Rūpa Gosvāmī), a Sanskrit composition by Śrīla Śrīdhara Deva Gosvāmī Mahārāja. first published in Śrī Gauḍīya Darśana magazine, Vol.11, Issue 1 in 1965.